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Strengths: Compact for a pro-grade camcorder, sturdy construction, highly tailorable, outstanding autofocus for sports and wildlife, and (most importantly) great video.
Weaknesses: Cost seems a bit high considering the alternatives; plan on dropping $350 more on a Bogen / Manfrotto pan handle/controller (& more yet if you don't already own one of their fluid heads).
Summary: As advertised, this is an ideal second camera for serious videographers or a great step up for aspiring pros (like myself). I won't duplicate reviews available elsewhere (this camera was CNET editor's choice), but I'll tell you what I would like to know if I was considering this camera.
(1) If you're considering this camera, you're probably also considering the Canon GL2 and the Sony DCR-VX2100. Compared to these, the DVC30 seems expensive, especially considering the venerable reputation of the GL2 and the exceptional performance of the Sony (which uses 1/3" CCDs). For me, it boiled down to size (the "user guide" at Panasonic's website (be sure to go to PROFESSIONAL products) has a side-by-side-by-side photo of the three). If you're just doing weddings, etc., go with the VX2100 or wait for the GL3. If, however, you are humping this thing through the woods (or Disneyland) or doing action sports shots on the field of play, the size is a real advantage.
(2) If you're considering jumping up to the tantalizing array of pseudo-HD and 24p cameras (as I was), you may wish to consider waiting for a couple of years, at which time $3000 will probably get you a camera that will let you produce your own HD DVDs. I had to consider whether the "film look" of 24p was worth a grand, and for a sports videographer it wasn't (not to mention the size thing again).
(3) If you're considering moving UP to this camera (as I did), be very clear that this is a professional camera. That is not to say that it is unduly complicated. To the contrary, it is every bit as intuitive as the Sony Handycam I left behind (although the feature set is much richer). What I mean is that you can say goodbye to consumer-priced accessories and the utility of conveniently located stores like Best Buy. The $120 LANC-controller tripod I used with my Sony doesn't work; replacing it means $300 on a Bogen / Manfrotto tripod with a 501 fluid head and another $350 on the 522P pan handle controller. And, while I said the tailorability of this cam was a strength, it comes at cost. The XLR adapter for pro audio gear goes for $250, the XLR stereo mic is nearly another $200, and the long range IR light (which is more than a "nightshot" gimmick) is over $300. I can attest that the $140 non-XLR stereo mic works great, however, if you don't have immediate need of pro audio equipment.
(4) Finally, I've become something of a shill for Lowepro (although they haven't started paying me yet. Their Compact AW DV bag is a bit big for this cam (it was designed for the GL2), but it has room for every accessory, tapes, cables, chargers, etc., and takes Lowepro's S&F sliplock accessories--of course with the built-in rain cover that garners the AW (all-weather) designation.
Bottom line: this camera is for you if great video and(small) size is important, but 24p and HDV are not.
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